Hedwig Gerasimova

A delicate script font with a modern signature style, looks great in big texts and it is suitable for any project.

This is our newest product called Elliana Samantha. Elliana Samantha is a stunning signature font with a cool twist. Get inspired by its modern simplicity!

This font is suitable for use on business cards, wedding invitations, t-shirt designs, logos, magazines, quotes, fashion, watermarks, invitations, signatures.

Thank you, and don't forget to check out our other products.

Described as “An extended script type that lends itself well to fine fashion, ready-to-wear and all quality merchandise” in a marketing blurb pitching Beaufont by the Morgan Sign Machine Company of Chicago for their Line-O-Scribe sign printing system. This advertising script font was originally manufactured exclusively for Morgan Sign under license by the Hamilton Wood Type Manufacturing Company.

The source patterns and original artwork for this typeface exist in the archives of the Hamilton Wood Type & Printing Museum, and were used for this fresh digitization of this font. This digital take includes alternate letters as originally designed in the mid-century wood type version, and now includes a full extended latin character set with over 350 characters.

Castel is a handwritten font made with natural watercolor texture. The solid texture makes it look modern and simple, strong and feminine at the same time. Some purposes you can use Castel for are logos, product branding, wedding invitations, quotes, flyers, magazine, Instagram templates or for text overlay to any background image.

Thank you for your purchase! I hope you have fun with Castel.

Enjoy!

XOVA Base, Color One, Color Two, Color Three and Color Four, is a 5 font system that can be layered in different ways to create infinite title effects used commonly in poster and 3D logo design.

XOVA’s layer combinations give you complete control in producing styles like, modern, 3D, beveled. It can be used alone and/or in layered and allows you adjust leading and kerning. Each font contains the similar metrics, so when your title is set, copy and paste-in-place to create layers of different weights/styles to build out your desired effect. XOVA works great in any graphics application that allows you to utilize layers or 3D effects.

This might be the font for your next tattoo, or even a poster of the newest movie.

Once, Blackletter was a calligraphy style. Full of ligatures, with letters bumping into each other to create an unapologetic picket-fence pattern. Some even claimed that the regularity improved legibility! But then Blackletter was cast into metal, and only a handful of established ligatures survived, while most interletter connections were disentangled. Everyone since followed suit, and hundreds of years later, digital Blackletter fonts were modelled mostly on the metal fonts that prevailed rather than the original handwriting. Up until now!

AJ Quadrata is an authentic revival of the textura quadrata hand, and its major inspiration is a 15th-century Latin manuscript of the Bible from Zwolle, the Netherlands. The typeface is delivered in two flavors.

The default cut is a modern take on textura quadrata that can be useful for today and tomorrow. The standard ligatures feature employs nearly all letters. The tittle of i retains its original, hasty squiggle form (except for the Turkish localization). Discretionary ligatures include medieval ligatures da, de, do, pa, pe, po (and their mixed-case counterparts!). Stylistic sets allow to use historic letter variants such as long s and rotunda r, closed-counter a, and alternate capitals.

AJ Quadrata Medieval is perfect for setting medieval Latin. Default forms of capital F, H and O are swapped with the alternates. The squiggles above i only appear for disamibiguation nearby m, n or u, as in original manuscripts. Discretionary ligatures and historic variants are promoted to the standard ligatures feature to make room in the discretionary ligatures feature for a variety of scribal abbreviations. Dedicated stylistic sets include medieval punctuation and justification alternates — glyphs with elongated terminals used for lengthening lines that end up too short.

The Rubrum styles can be layered and colored to create the illuminated effect on the capital letters.

Besides a faithful rendition of extended Latin including Vietnamese, numerous synthetic additions are included: polytonic Greek, Armenian, and Cyrillic (with Bulgarian and Serbian/Macedonian localizations).

Both flavors of the typeface can be considered a starting point that can be further customized using OpenType features, including Stylistic Sets (some features differ between AJ Quadrata and AJ Quadrata Medieval):

• ss01 Alt E
• ss02 Descending F / Roman F
• ss03 Uncial H / Roman H
• ss04 Angular O / Round O
• ss05 Contextual closed-counter a
• ss06 Diamond-dot i j / Always dotted i, j
• ss07 Contextual rotunda r / No r rotunda
• ss08 Contextual long s / No long s
• ss09 Dotless y
• ss10 Serbian Cyrillic
• ss11 Alt Cyrillic de
• ss12 Alt Cyrillic zhe
• ss13 Alt Cyrillic sha
• ss14-ss17 [reserved for future use]
• ss18 Scribal punctuation
• ss19 Alt linking hyphen
• ss20 Justification alternates